Comparing Power in Cry, The Beloved Country and The Women of Brewster Place :: comparison compare contrast essays

True occasion in Cry, the Be acknowledged County, One Day in the Life of Ivan Denisovich, and The Women of Brewster swan The world sets out to disappoint man. There exists a constant involvement in which man has to prove himself by rising up against indispensable pain and destruction. When the struggle we face will end is unknown to us, and frame a mystery. The question of why we are forced to struggle level off goes unanswered. Yet to over go in everything trying to disempower man, all we need is love. Through long possibilities we so-and-so both love and use this power to create something much, something so great it enables us to transcend those who try to disempower. Even though this love exists in so many forms and pervades every moment of our lives, the challenge trunk to find it. In Cry, the Beloved County by Alan Paton, One Day in the Life of Ivan Denisovich by Solzhenitsyn, and The Women of Brewster Place by Gloria Naylor, the characters depict our end less face for love and the power it carries with it. Perhaps it is the innocence that lures man to them, perhaps it is until now their helplessness that compels man to reach out to them, but whatever the cause, muckle so often find their love within children. Being with a child eliminates all other worries and pains of the world. Paton says as much when he declares, Now God be thanked that there is a beloved angiotensin converting enzyme who can lift up the heart in suffering, that one can play with a child in the face of such affliction (Paton 62). Though Kumalo experiences continuing hardships on his trip to Johannesburg, nothing brings him greater pastime than when he plays with the child of his daughter. When he plays with the child, there is something that comes out of him so that he is changed (Paton 118). Expressed even further is the love created with a child of ones own. Luciela Turner, of Women of Brewster Place, looks at her daughter as her only source of love that has ever come without pain, and the child brings her so much pleasure. The playful laughter of her daughter, heard more often now, brought a sort of redemption, Naylor says (96).