Emily Dickinson :: essays research papers

Dickinson, Emily Elizabeth (1830-1886), Americas best-known womanish poet and one of the foremost authors in American literature. Born in Amherst, Massachusetts, Dickinson was the inwardness child of a lawyer and one-term United States congressional representative, Edward Dickinson, and his wife, Emily Norcross Dickinson. From 1840 to 1847 she attended the Amherst Academy, and from 1847 to 1848 she canvass at the Mount Holyoke Female Seminary in South Hadley, a a few(prenominal) miles from Amherst. Dickinson remained in Amherst, living in the same house on master(prenominal) Street from 1855 until her death. During her lifetime, she published only about 10 of her nearly 2,000 poems, in newspapers, Civil War journals, and a poetry anthology. The notion that Dickinson was extremely sequestered is a popular one, but it is at best a partial(p) truth. Although she never married and certainly became more selective over the long time about the company she kept, Dickinson was far mor e sociable than most descriptions would accept us believe. Biographers are increasingly recognizing the vital role of Dickinsons sister-in-law, Susan Dickinson, in her writing. For more than 35 years the two women lived next door to from each one other, sharing mutual passions for literature, music, cooking, and gardening. Emily sent Susan more than 400 poems and letter-poems, twice as many as she sent to any other correspondent. In 1998 dissipate Me Carefully Emily Dickinsons Intimate Letters to Susan Huntington Dickinson was published, documenting the two womens friendship.Dickinson enjoyed the powerfulness James Version of the Bible, as well as authors such as English writers William Shakespeare, John Milton, Charles Dickens, Elizabeth Barrett Browning, George Eliot, and Thomas Carlyle. Dickinsons early style shows the inviolable influence of Barrett Browning, Scottish poet Robert Browning, and English poets John Keats and George Herbert. In the early stages of her career, D ickinsons handwritten lyrics imitated the formalities of print, and her poetic techniques were conventional, but she later began to attend to the visual aspects of her work. For example, she arranged and broke lines of verse in highly unusual shipway to underscore meaning and she created extravagantly shaped letters of the alphabet to underscore or play with a poems sense.